



Double Dipped – Spinning out from Ravescene magazine, Double Dipped kicked off at Labrynth in 1991 and went on to host legendary nights at Turnmills, Enfield Palladium, and Bagleys. With events like Submerged, Sky High, and The Secret Garden, it became a defining force in London’s early ’90s rave scene.
The magazine [Ravescene] grew into Double Dipped, as we decided to promote our own events. The first one was at Christmas at Labryinth, and we went on to run nights at Turnmills, Enfield Palladium, various sports centre locations, and of course, Bagleys. We ended up running a regular Friday night at Bagleys … For quite a while we worked with Joe promoting Labryinth, before going our separate ways.
Gwen Howells, interview www.oldskoolreview.co.uk September 2009

| Date | Venue | Event |
|---|---|---|
| 14th November | 12 Dalston Lane | Ravescene Launch Party |
| 19th December | 12 Dalston Lane | Ravescene / Visual Contact Christmas Party |

A big, big thanks goes out to all those who attended Ravescene’s Launch party at Club Labrynth on November 14th. Special thanks go to Visual Contact for the dancers, Vinyl Contact for the D.J.’s and Turbo Trance for the P.A., and of course to Joe and Phil.
Ravescene Magazeen, Issue 3
The idea of the party was to introduce people within the industry to new ideas e.g. Brain machines, to hear fresh young D.J.’s and to see various new and interesting merchandising. Contracts and cheques were exchanged on the night. Diaries clear for Thursday December 19th 10 pm-4 am for the Ravescene/Visual Contact Christmas Party, at Club Labrynth.
| Date | Venue | Event |
|---|---|---|
| 25th April | 12 Dalston Lane | Double Dipped 1992 Ravescene Party III |
| 23rd May | 12 Dalston Lane | Double Dipped 1992 Ravescene Party IV |
| 13th June | 12 Dalston Lane | Party V |
| 18th July | 12 Dalston Lane | Ravescene Magazeen – For Those Who Remember |
| 15th August | 12 Dalston Lane | Ravescene Magazeen |
| September | The Soundshaft | Sunday Dipped |
| 19th September | 12 Dalston Lane | Ravescene / Double Dipped |
| 17th October | 12 Dalston Lane | Double Dipped – The Party |
| 7th November | 12 Dalston Lane | Double Dipped |
| 12th December | 12 Dalston Lane | Double Dipped – An Underwater Experience |



















The next Double Dipped which is to be a benefit for the Whale & Dolphin Conservation Society, will not now be held at Labrynth on December 12th. This is due to circumstances beyond both our, and the venue owners control. However, we will be holding both this event and a launch party for the Year Book later in December at Central London Venues.
Ravescene Magazine Issue 28



We have put on monthly events since April 25th 1992. To date they have all been held at The Labrynth in London, which in our opinion is one of the friendliest, safest and most interesting clubs around. The venue has around 10 rooms on 3 floors, plus a large garden. On our nights, we always pick the DJ’s both for their music and their attitude. We have happy techno on the main floor, breakbeat in the dungeon and deep house and trance in the attic. We try to make our parties fun, a great night out and a place to meet new friends.
Call Yourself A Raver? Ravescene Yearbook 1993
| Date | Venue | Event |
|---|---|---|
| April (weekly) | 12 Dalston Lane | Every Picture Tells A Story & Double Dipped |





| Date | Venue | Event |
|---|---|---|
| 1994-02-26 | Bagleys Film Studios | Double Dipped – In Celebration Of The North American Indian |
| 1994-04-09 | Bagleys Film Studios | Double Dipped – Sky High |
| 1994-04-15 | Turnmills | Club Together |
| 1994-05-14 | Turnmills | Destiny The Cream & Doubled Dipped – Submerged |
| 1994-08-28 | Bagleys Film Studios | Double Dipped – The Secret Garden |
| 1994-09-10 | Pump House | |
| 1994-10-29 | Ravedome Heston | Double Dipped – Trick Or Treat |
| 1994-12-16 | Bagleys Film Studios | Double Dipped |
| 1994-12-31 | Ravedome Heston | Double Dipped New Dawn |














Well, many thanks to each and everyone of you who made ‘The Secret Garden’ at Bagleys on August Bank Holiday Sunday the biggest and best Double Dipped to date! However, those of you who were there or tried too late to get tickets will have realised that Bagleys just isn’t big enough anymore to accomodate everyone that wanted to attend. It was in fact the biggest party anywhere over the Bank Holiday weekend! So, we’ve had to make the decision to separate the house and hardcore for the time being and to move to different venues.
Ravescene Magazeen – Issue 52
The Ravedome at Heston is where we’ll be throwing our next massive hardcore party. We first saw the venue eighteen months ago before it even had its full license and it’s absolutely perfect. It’s easy to get to from anywhere in the country being just inside the M25 on the M4, and has loads of on site, patrolled parking. The venue itself is like an upside down Viking long boat which should give excellent acoustics. The main arena is huge, bigger by far than any regularly used rave venue and we’ve had to go really overboard with the lasers, lights and sound. A thirty foot stage is being built to give loads of room for he PA’s and dancers with a stage set in the theme of the evening, which as the party takes place on Saturday 29th October couldn’t be anything else but Halloween!








Ravescene Magazeen #45 (November ’93) features Bizzy B on his creative journey, the myth of “dark” music, and the unity and energy that make his tracks essential in rave culture.

Published
19th November 1993 (approx)
Pages
12 (A5 B&W)
Strapline
THE BUZZINESS
Adrian H here with some more Double Egg. This week I speak to one of the nice guys to the scene, one of the innovators in my opinion of the dark sound and has more records out than you’ve had hot dinners (slight exaggeration there, for effect) Da man in the eggcup this week is 22 and from Leyton, East London. He worked his way up “as you dooo” from DJaying in pubs and parties around his area to residencing at the Dungeons, Lea Bridge Road with DJ’s such as Ellis Dee, Chalky White ‘Bob’ and myself (those were the good old days), then he really started concentrating on his chewns. If you buy records it’s almost 99.9% certain that you have one of his chewns in your collection. Bizzy says when he is making his chewns he always thinks of all ravers and tries to please everyone. He likes to think of his music as more hi energy (“music you can get exhausted to”) than dark. Some of the chewns he has made include The Brainstorm EP, Revolution, Crowd Says Rewind, The Science EP. He’s also made records alongside people such as D.LUX, Peshay, Cool Hand Flex, DJ Hype, Formula Seven, Slammin Crew, Information Society and many more, on labels such as Brain (his own label) Quayside Records, One Off Records, Big City, Reinforced, Sub Bass and White House.
These credentials made me sure that he could clear up something that is not very well understood. I asked Bizzy B ‘What Is Dark Music?’ He told me that the way he sees it Dark music is not dark music. People get the word Dark mixed up with the expression eg. if something is good you say ‘wicked’ but people used to say ’dark’ instead. Maybe being someone that’s falling into this trap I asked him what would he call his music because I consider it pretty dark, he said that personally he tries to make it as original as he can moving away from sampling huge chunks of other people’s records and not categorise to one group of ravers. Original that is a word I say often when describing the sounds of this man’s chewns, so maybe Dark can be split up into two groups – original and dark. Original which I think would also include the Reinforced Cru, L.T.J Bukem, Moving Shadow, Ram Records and a few others, and dark including the tracks which Buzz thinks are killing the dark scene which are tracks “that are not music, sound absolutely terrible and do nothing for you apart from give you a headache, you’ll be standing in a rave, hear a tune that is rubbish and call it dark , but it’s not dark, it’s just crap. Bizzy told me that to him the point of a rave is the good feeling, the peace and unity and that a rave without the white glove crew wouldn’t really be a rave”.
Some of the music that is being played sounds sadistic with a devil worship type groove which doesn’t go with the happy side, so people label it as dark. To try to bring this short chat to some sort of conclusion because Bizzy just squeezed me in before he had to do a radio show, we agreed that Dark is not really a music form, but just a term hastily given to a form of music which is misunderstood, original music, but as with most music forms for every 10 dark tunes that are made maybe only two of them are any good, and it’s the other eight that we always seem to hear. Well, after all that I still could not tell you what dark music is, but I could tell you that Bizzy B’s tunes, be they Dark, hardcore, jungle whatever you like to call it always work for me….




Ravescene Magazeen #4 (Dec ’91) doubles in size and dives deep into the festive rave season — listings for Seduction NYE, Raindance Leicester, 1992 @ Brixton Academy, and more. Pure end-of-’91 energy: Safe as House and ready for the new year.

Published
6th December 1991 (approx)
Pages
8 (A5 B&W)
Strapline
SAFE AS HOUSE

